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Stainforthonline
Interview
Adge Covell - Mark Whiteley - (Addy / Faith)
Adge: Hello Mark. First of all, can ask you for your date of birth?
Mark: Twenty fourth of the third nineteen sixty seven.
Adge: And where are you from Mark?
Mark: I'm from Nottingham.
Adge: From the city?
Mark: From the city of Nottingham, yeah. Not Nottinghamshire, and
you're the first I've told.
Adge: Really?
Mark: Yeah, apart from my fellow actors, but I haven't said anything
because I'm stood here in front of everything, aren't I?
Adge: Yeah
, well
. Scabland we call it round here.
Mark: Exactly! (Laughs)
Adge: Can you tell me why you chose acting as a career?
Mark: Well, I've been acting since I was
, probably
,
well since I was born probably. I was a show off and stuff. I went
to a really good school with a really good drama teacher. I was
in all the school plays. And then I finished school
, and I
didn't do any acting for ages, and then, I slipped back into it.
Then
, an ex-girlfriend of mine was going to drama school,
and she talked me into going. So, I went when I was twenty seven.
Adge: What did you do in those preceding years?
Mark: I've done lots of things. I trained as a carpenter, I was
a carpenter for a long time. I was a cabinet maker, I was a shop
fitter, I've been a bouncer, I've been a
.., debt collector,
I've been
, well, everything. I've been everything really,
like most actors, and I came back to acting cos its something I've
always enjoyed doing.
Adge: When you did get back into acting, you got into performing
plays at Nottingham Playhouse
.
Mark: Yeah. I left drama school ten years ago, and I had nothing.
I didn't have an agent, I didn't have anything. I was offered a
part in Peak Practice. Straight away, straight out of drama school
and I got a little job in Peak Practice. Then I did Heartbeat, Dangerfield.
The story of the Playhouse is good to me, cos I'm from Nottingham,
so Nottingham Playhouse is my
., it's my theatre. My ambition
was to play lead at Nottingham Playhouse, and I got a phone call
one day, to go and do a play reading, a new play, by a writer called
Barry Heath. I'd loved him, since I was sixteen, this writer. He
made me laugh. I fell off me chair with laughing, that's how much
I loved him. And so I went and did this play reading, and I did
three days on that, and then they offered me the lead. I played
a fourteen year old kid, so I'd done my ambition, probably two years
after leaving drama school. So, I've been looking for new ones ever
since.
Adge: Can you tell me a bit about "Hard Graft"?
Mark: Hard Graft
. Hard Graft is a theatre company set up
by myself and Sara Poyzer, another actress. To be honest with you,
it just started because we didn't have much work. So we thought
if we set up our own company we can just present our own work. So
we started up and we did
, our first play, which was above
a pub
...
(Knock on door. Lady from wardrobe dept enters and checks Mark
is almost ready to go on set. It's November and freezing outside,
and Mark has to dress for a scene in July, so there is a short discussion
about which T-shirt would be suitable)
Mark: Yes, right, so we started Hard Graft about five years ago,
and we did our first performance in a pub. And, because we're both
actors, we got working with other things and we walked away from
it. Then I did loads of commercials, for television, and I earned
a lot of money in a very short period of time. Then I got into writing,
and I wrote my first play, called Thick As Thieves, and I decided
to produce it. I thought that the best way to produce it would be
under Hard Graft, so Hard Graft became
.. Hard Graft, and the
first performance was performed in my living room. It's about two
burglars, is Thick As Thieves, and I wrote it in a living room,
so I thought that's how I'd perform it, cos the whole geography
of the set is based on my living room. So I did it in me living
room. I had up to twenty people, did three nights, and then we toured
the country, to fourteen other living rooms. We even did a long
boat as well
, you know, a narrow boat. We ended up in London,
where I got offered
., well, I got offered loads and loads
of things along the way actually. We came back to Nottingham and
we decided to do the play in a shop. We bought an old shop, and
we turned the shop into an old man's living room, and a sixty seater
studio theatre, with a bar upstairs, and we had it for a month.
We were sold out there, then we went to Edinburgh, and we performed
it at The Underbelly, at Edinburgh, where we got rave reviews and
sold out there. Then I came back to Nottingham, we'd been offered
to go to a theatre in London for a month, with Thick As Thieves
..,
and I wrote my next play, which was called Bert and Joyce, which
we toured through charity shops. We decided that
, it was just
a fluke that we did it in my living room, but it was something we
were known for. I quite liked the idea that it became something
we were known for, and we'd quite a reputation for. So we did Bert
and Joyce in a charity shop. I went down to London and did Thick
As Thieves in a theatre, so it had transformed from living room,
to shop, to stage show
..
(Knock at door again. An assistant calls in to say they're almost
ready on the set)
Mark: And
, Hard Graft was born really, and that's the story
of it. We just went from strength to strength. In fact, it's probably
more famous than me. More people know about Hard Graft than know
about Mark Whiteley.
Adge: We seem to be running out of time, so I'll press on. Can
you tell me a little bit about Addy, your character in Faith?
Mark: About Addy? Addy's a miner. He's quite a hard miner, anf
he's one of the fighters. He doesn't say a great deal, but he fights
a lot. He's on the front line, and he's a very passionate man.,
and
.., he wants to fight for his community, which he loves,
He knows nothing else, it's where he was born and went to school,
left school and became a miner. He knows nothing else. So this is..,
well, he's fighting for his life.
Adge: I can relate to that, I've been there.
Mark: Yeah.
Adge: Can you tell me who influences you, as far as acting is concerned?
Mark: Well
, I'm a massive theatre actor really, to be honest.
I don't watch a great deal of telly. I think that most television
is rubbish. But I love the stage, I love theatre. To me, it's like
being Barnum, you know, in the old American showmen. It's just showing
an audience something new. It doesn't really have to be new, you
just have to put a new twist on things.
Adge: You sing as well
Mark: Yeah, I do a bit. If you asked who influenced my singing,
I'd say Sinatra. I think that most people have a hard time. They
work hard , so when they got out they should have fun. I like comedy.
You know.., I love
, and I think most people like comedy.
Adge: What are your future plans?
Mark: Well at the moment, I've just written Bert and Joyce, into
a pilot for television, after slagging off television. I've written
a pilot episode of Bert and Joyce, and hopefully that will get made
into a sit-com. I've started to go more into the writing world.
I've kind of
., kind of.., given up acting, but I haven't.
I know I haven't, and I know it'll be with me forever. I go through
stages where I love things and I really go for them. So at the moment
I'm about to start writing a Brian Clough play. I'm a big Nottingham
Forest fan, and when Cloughie died, I couldn't believe it. I mean,
I loved the man. He'd taken my team to Europe twice, and he was
such an amazing character. I mean, most people loved Cloughie, and
I want to put something on stage. So I'm writing a play called
,
erm.., I won't tell you that, cos someone will nick the idea. Anyway,
it's going to be great.
(Another knock at the door and it's time for Mark to go)
Adge: Well thanks for talking to Mark, it's been a pleasure.
Mark: Yeah it has. It's been a real pleasure.
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